Robert Fischer

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

Life As It Is: Miloš Forman on Miloš Forman

G.W. Pabst's 'Kameradschaft': An Introduction by Jan-Christopher Horak

G.W. Pabst's 'Westfront 1918': An Introduction by Jan-Christopher Horak

Love Letters

The Poet and the Filmmaker: Volker Schlöndorff on Baal

Swan Song: The Story of Billy Wilder's Fedora

Touching Death: Alejandro Amenábar on 'Tesis'

Real Killer, Fake Nose: Richard Fleischer's 'The Boston Strangler' Remembered

Black and White in Color: Vilmos Zsigmond on 'Blow Out'

Rag Doll Memories: Nancy Allen on 'Blow Out'

Return to Philadelphia: George Litto on 'Blow Out'

A Winter's War: Keith Gordon on 'A Midnight Clear'

Ted Kotcheff's Gourmet Cinema

Before Taking Off: Milos Forman’s Road to America

Making an American Movie

Erinnerungen an 'Väter und Söhne'

Of Love and Constraints

A Tribute to Douglas Sirk by Allison Anders

Acting for Douglas Sirk

Contract Kid: William Reynolds on Douglas Sirk

Dalton Trumbo: Rebel in Hollywood

Maternal Overdrive

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Illusion of Freedom: Richard H. Kline on John Frankenheimer's Birdman of Alcatraz

The Poet and the Filmmaker: Volker Schlöndorff on Baal

Swan Song: The Story of Billy Wilder's Fedora

Touching Death: Alejandro Amenábar on 'Tesis'

Ted Kotcheff's Gourmet Cinema

Before Taking Off: Milos Forman’s Road to America

Making an American Movie

Erinnerungen an 'Väter und Söhne'

A Tribute to Douglas Sirk by Allison Anders

Dalton Trumbo: Rebel in Hollywood

Maternal Overdrive

Ganz Berlin lacht sich kaputt: Wie die 'Berliner Ballade' entstand

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Dietrich Icon

Homay King on 'Shanghai Express'

Weimar on the Pacific

The Poet and the Filmmaker: Volker Schlöndorff on Baal

Touching Death: Alejandro Amenábar on 'Tesis'

Ted Kotcheff's Gourmet Cinema

Making an American Movie

Erinnerungen an 'Väter und Söhne'

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

A Tribute to Douglas Sirk by Allison Anders

Acting for Douglas Sirk

Working with Max Ophuls: Annette Wademant, Co-Writer

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

Working with Max Ophuls: Robert Christidès, Set Decorator

Working with Max Ophuls: Tony Aboyantz, Assistant Director

Working with Max Ophuls: Daniel Gélin on "La Ronde"

Maternal Overdrive

Working with Max Ophuls: Alain Jessua on the Making of Madame de...

Reviving Harry Lime

Men of Mystery

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

The Beauty of the Land: Anthony Slide on Andre De Toth and the Indian Fighter

Budd Boetticher on the Ranown Cycle

Love Letters

The Poet and the Filmmaker: Volker Schlöndorff on Baal

Touching Death: Alejandro Amenábar on 'Tesis'

Touching Death: Alejandro Amenábar on 'Tesis'

Ted Kotcheff's Gourmet Cinema

Making an American Movie

Making an American Movie

Making an American Movie

Douglas Sirk erzählt...Zarah Leander und 'Zu neuen Ufern'

A Tribute to Douglas Sirk by Allison Anders

A Tribute to Douglas Sirk by Allison Anders

Acting for Douglas Sirk

Working with Max Ophuls: Annette Wademant, Co-Writer

Working with Max Ophuls: Daniel Gélin on "Le Plaisir"

Working with Max Ophuls: Marc Frédérix, Assistant Decorator

Working with Max Ophuls: Robert Christidès, Set Decorator

Working with Max Ophuls: Tony Aboyantz, Assistant Director

Working with Max Ophuls: Daniel Gélin on "La Ronde"