Star Trek: Strange New Worlds
Sci-Fi & Fantasy · Drama
Creator: Jenny Lumet, Alex Kurtzman
Cast: Anson Mount, Ethan Peck, Jess Bush


“He's in way too deep.”
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A self-loathing, alcoholic writer attempts to repair his damaged relationships with his daughter and her mother while combating sex addiction, a budding drug problem, and the seeming inability to avoid making bad decisions.

He’s come a long way. After blowing every chance at love and happiness – and burning every bridge in Hollywood – Hank Moody is finally ready to put the past to bed. But as always, old indiscretions turn up to bite him squarely in the ass. Could it be too late to pull off a happy ending?

Hank's reunion with Karen doesn't go quite as he planned. Meanwhile, Hank gets hired by the "Santa Monica Cop" showrunner, and a reporter asks to interview Hank for his college paper.

Hank gets frustrated with his "Santa Monica Cop" coworkers on his first day in the show's writer's room, and he gets a surprise when he visits Levon's apartment. Meanwhile, Charlie meets Rath's new assistant; and Karen gets an unexpected surprise.

Hank gets his first episode assignment, much to the dismay of coworkers Terry and Hugh. Meanwhile, Levon tries to bond with Rath's assistant; Charlie attempts to patch things up with Marcy; and Karen considers giving up on Hank.

Hank and Levon help Julia celebrate her new role. Meanwhile, financial trouble adds to Charlie and Marcy's marital unrest, but a new client may put Charlie back in the black; and Levon tries to get some alone time with Melanie, but the Director keeps getting in the way.

Levon enjoys a night with Nikki, while Karen, Hank and Marcy are forced to endure the company of Nikki's creepy friend. Meanwhile, Charlie gets in over his head with a new client.

A "Santa Monica Cop" kickoff party is hosted by Rath, where Hank conducts an intimate notes session with the show's leading lady, and Hashtag Black eyes Julia. Meanwhile, Charlie manages head-case client Goldie; and Stu makes Charlie an offer.

Rath demands a rewrite of Hank's 'Santa Monica Cop' script. Julia's new boss, Dr. Dan, gives her some career advice, but Levon and Hank have other ideas. Charlie and Marcy consider Stu's offer - until Atticus' old rock 'n' roll butler Krull offers an alternative solution to their money woes.

Hank has problems with Hashtag Black. Stu's offer leads to fisticuffs.

Hank recalls turbulent times with Karen, a confused Becca, and their days with a happier Charlie and Marcy. Meanwhile, a nun helps Hank put things into perspective.

Hank entices Karen to have dinner with him, but Julia interrupts their romantic evening. Later, Charlie, Marcy, Krull, Levon and his new friend bring even more drama to the night; and chaos ensues when Stu assaults Charlie's manhood.

Hank might soon be out of a job. Becca makes a big announcement.

Hank makes a life-altering decision. Series finale.

This season Hank collaborates on a musical with a rock star while taking up with his beautiful muse, Charlie and Stu compete for Marcy, Marcy falls under the spell of a radical feminist, and Becca drops out of college to become a writer.

Hank Moody narrowly survives the aftermath of his scorned ex-lover Carrie; her attempted suicide to see them both together, free from the constraints around them. Charlie takes Hank to see Atticus Fetch, a rocker who is interested in turning "A Crazy Little Thing Called Love" into a Broadway show. Meanwhile, Karen, Marcy and Charlie have to deal with Hank, after a revelation about Becca.

Hank reluctantly heeds the advice from his family and friends, but Faith, muse to many-a-rock-star, may be his light at the end of the tunnel. Charlie runs into out-and-proud movie star Robbie Mac and finds himself taking drastic action in order to land the award winner as a client. Marcy loses her resolve with Stu, while Karen lands a new job.

Hank and Faith attend a funeral. Later, Karen finds Hank in a compromising position. Robbie Mac and Ken take Charlie out on the town, which doesn't sit well with Marcy.

Hank and Charlie's meeting with Robbie Mac isn't as promising as they hoped; and later, Hank reconnects with an entertainment exec he'd worked with. Meanwhile, Marcy, Ophelia and Karen swap tales over dinner, while Becca proves she's her father's daughter at a reading of her work.

Ken discovers Charlie’s secret. Atticus sends Hank and Charlie on a hunt, so they enlist the help of Hank’s daughter Becca. Marcy makes a decision about Stu that is influenced by her man-hating spiritual guide, Ophelia Robbins.

Karen asks Hank to intervene with Becca. Later, the boys board Air Force 69 with Atticus Fetch to fly to NYC to present the songs for the Broadway adaptation of "A Crazy Little Thing Called Love." Charlie faces a serious case of aerophobia. Atticus is surprised by Faith, while his wife surprises Hank.

Hank returns from his trip to find Becca spiraling, but his plan to help her backfires when they go to visit Atticus and meet his current house guest (guest star MARILYN MANSON as himself). Hank has an encounter that puts him in a very awkward position with Karen. Charlie takes Stuart out for the day and has an encounter of his own.

The reviews are in for the first draft of "A Crazy Little Thing Called Love: The Musical." Hank looks for inspiration from Faith to help get him to the next level. Becca contemplates alternate careers. Charlie and Stu join forces to win back Marcy, but first, they'll have to pry her from the man-hating clutches of Ophelia Robbins.

Atticus throws a party. Faith provides the girls, The Dealer provides the recreation and Hank's old friend provides the entertainment. Hank gets a taste of his own medicine with Karen. Atticus tries to recreate rock and roll folklore with one of his biggest fans while Charlie reunites with The Widow.

Hank seeks comfort from Faith, only to find her with Beckett. Hank meets two very important people in Faith’s life. On the home front, Becca has some big news.

Hank and Faith join forces to track down Atticus, but Becca is the only person who can really help. Marcy's outing with Ophelia leaves her a little tied up and Charlie's response to a curious message reveals the true feelings between the two exes. Karen has an epiphany about Becca.

Hank makes a big decision about his future, which affects Faith. Charlie and Marcy also make a decision. The troops are rallied to ensure Atticus makes it to the Greek Theatre for his co-headlining gig with Marilyn Manson. A call from Becca and a visit from a dearly departed friend set Hank in motion.

Hank Moody has become hip hop’s most wanted. Rich and powerful rap mogul extraordinaire Samurai Apocalypse is pimped-out famous – and hell bent on getting our bad boy writer into more trouble than he’s ever known. With Charlie chasing strange and pining over Marcy, and an insufferable 20-year-old Hank wannabe dating his beloved daughter Becca, Hank’s got more on his plate than ever in the town he hates to love.

A few years have passed and Hank is living in New York but looking for a ticket out of town after his latest breakup. He accepts an invitation from Charlie to come to Los Angeles for a job writing a film starring rapper/actor Samurai Apolcaypse, then reunites with Karen, her former professor and now-husband Richard, and his daughter Becca, who now has a boyfriend named Tyler that is the spitting image of Hank himself ... in the worst possible way.

Hank passes on writing Samurai Apocalypse's new movie but Sam won't take no for an answer and drags Hank to a meeting with director Peter Berg, where they discover that Hank and Peter have shared more than just a love of the written word. Sam takes it on himself to get rid of Tyler, which makes things worse between Hank and Becca. Co-parents Charlie, Marcy and Stu have their hands full when Little Stuart exposes himself to a preschool classmate, and Charlie takes it upon himself to mend fences with the offended girl's attractive mother.

Hank hands a completed draft of "Santa Monica Cop" over to Samurai Apocalypse, but he still finds himself stuck in L.A. when he's asked to take Kali, his "acquaintance" from the flight to Los Angles, out for a night on the town. Tyler crashes at Karen and Becca's house while he recovers from his injuries. Charlie is rescued from a serious parental crisis by Stuart's nanny, Lizzie.

Hank receives an unwelcome surprise in the form of Carrie, ex-girlfriend and arsonist that he's forced to invite along when Karen and Becca show up to invite him to a dinner party. Stu, Marcy and Bates' talk of sexual proclivities leaves the Moodys searching for the nearest exit, but the party gets even more out of control when Carrie has a realization about Hank. Meanwhile, Charlie goes on a blind date with Mary, a "nice girl" who's more than a little inexperienced.

Charlie's boyhood dream is realized and Hank's worst nightmare comes true when Samurai Apocalypse invites the boys on a ride-along with the Santa Monica Police Department and takes them on a joyride that goes sexually awry for Charlie; Richard hits the bottle at a crowded Venice restaurant but Hank and the boys arrive to save the day for Karen and Becca, and Tyler realizes he's seen Sam somewhere before.

When Samurai Apocalypse hits a lyrical roadblock with his protege, he calls on the best writer he knows: Hank Moody, who unites with Kali to imbibe, bear his soul, and write a song that takes Hank back in time to an era when he, Karen and Charlie were happier and life was simpler before "A Crazy Little Thing Called Love." But the present comes roaring back when Karen shows up at Hank's door, worried that she made a mistake.

Hank saves Karen from embarrassment with a drunk Richard, then covers for Richard by pretending to be dating a stripper named Holly, who takes a liking to Tyler and offends his girlfriend, Becca. Meanwhile, when she's fired after an inappropriate encounter with Stu, nanny Lizzie calls on Charlie and allows their relationship to progress, only to have Marcy beg for her return.

Hank is stuck reading Tyler's screenplay but discovers some talent under that head of hair, even though the script appears to be disturbingly autobiographical account of the author's relationship with Becca. Charlie and Lizzie's love quadrangle with Stu and Marcy heats up, but when their bedroom games hit too close to home for Charlie, it may be off to therapy for all four of them.

On the first day of production on Hank Moody's latest movie "Santa Monica Cop," Stu has brought back his "F--king and Punching" director in hopes of creating a cinematic masterpiece, but Hank's rendezvous with the film's leading lady puts his relationship with Sam in jeopardy. Luckily for Hank, Stu and the production's crew, Charlie has a backup plan.

Minus one agent and best friend, Hank crashes with his two favorite ladies, Karen and Becca. Looking for new representation, he meets with Hollywood power agent Larry Levine, who quickly sets a meeting with world-class filmmaker and Hank Moody idol Lars Manderhoff. It may be a match made in heaven when Lars surprises Hank with one of his favorite working girls, Trixie (guest star Judy Greer). Distraught over his personal losses, Charlie seeks comfort from Marcy while Lizzie enjoys her big break, a part in "Santa Monica Cop" courtesy of Stu.

Hank overstays his welcome at the house of Karen and Richard and hits the road with one last stop at Malibar, where he runs into Lizzie, who uses her newly acquired acting chops to lure him back to the Runkle Manor. Once there, Hank is surprised by everyone he loves and loathes: Karen, Becca, Charlie, Marcy, Stu, Richard and his creepy sponsor, Gabriel. Even Sam and Kali show up, but it's not a party until someone gets hurt and luckily for these partygoers, Hank has it in him for one final run-in with Tyler.

Hank discovers the bartender at a local watering hole is his late friend Lew Ashby and wonders if he's in Hell. Richard makes a startling announcement about Hank and Karen. Hank tries to make things right with Becca, but her news about Tyler leaves him stunned. On the set of "Santa Monica Cop," Sam's jealousy and fondness for firearms give Charlie an opportunity to show how much he loves his best friend and number-one client; Hank's arsonist ex-girlfriend surprises him with a way for them to be together forever.

Hank Moody is back and he couldn’t be more screwed. A one-night misunderstanding has landed him in serious hot water, but his troubles don’t end there. Hank's literary sex scandal has caused a sensation, even as he prepares to defend himself in court and tries to get Karen and Becca to speak to him, and a movie based on his stolen book begins production.
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This season Hank Moody’s life, like the economy, is officially turned upside down. The lack of writing assignments forces him to get a “real” job as a college professor while trying to keep wild child Becca on the straight and narrow with Karen still working in New York. Can he learn to keep “regular” hours and inspire the next generation of scribes? First, he'll have to stay on the right side of the dean of students, the dean’s wife and a teacher’s assistant who’s immune to his charms… Meanwhile, Charlie’s returned to the mainstream -- he’s ditched the porn world for a job at a legitimate agency. His only problem is a boss/agency head who’s more interested in him than her clients (hello, Rick Springfield!). It would all be manageable with Marcy by his side, but she’s still bitter over his affair and is even back on the dating scene, which is further complicated since the two are platonically sharing the house – who can afford a divorce in a recession?
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This season, Hank and Karen will finally rekindle their long-lost romance. But their road to love will hit a major snag when Hank's new job as biography writer for a legendary music producer lands him waist-deep in his three favorite vices — sex, drugs, and rock & roll. Meanwhile, daughter Becca is growing up way too fast; best friend and agent Charlie and wife Marcy are working through the fallout from last season's affair; and Hank's newest book is a huge hit — for someone else, who stole the manuscript from him and is basking in her newfound, totally unearned fame. But nothing gets good old Hank down for long — it's all just another day in the city for our favorite hedonistic scribe.
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Novelist Hank Moody struggles to help raise his 13-year-old daughter, while carrying a torch for his ex-girlfriend Karen. His obsession with honesty and his self-destructive behavior are simultaneously destroying and enriching his career. . . all this in the city he loathes the most: Los Angeles.
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